This programme is a survey of some of Stephen Littman’s videos alongside sequences from the work of David Larcher (1942-2023) that Littman has compiled. Larcher was a maverick filmmaker whose epic work includes the legendary Mare’s Tail (1969) and Monkey’s Birthday (1975). Larcher sought Littman’s advice when he moved from filmmaking to video in the early 1980s. EETC (1986) Granny’s Is (1989), vide0void (1993) and Ich Tank (1996) involved increasingly convoluted manipulations of screen space, testing the limits of cinematic expression. Littman’s videos have included highly personal imagery as well as formal and process-orientated investigations of electronic imaging. Like Larcher, he has always been keen to explore the expressive potential of the technology and push it to extremes. “Littman’s work came out of a unique moment of British video art, cross-breeding mid-1970s rigour with an avowed concern for social critique. Mass media themes – power, status, glamour – were undermined by turning mass culture’s stylised language against itself Littman’s hallmarks have been the sheer energy of his image making and strong sense of performance.” – A.L. Rees

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Monkey’s Birthday, David Larcher, 1975, extract

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Mother and Son, Stephen Littman, 1983, 13 min

 

EETC, David Larcher, 1986, extract

 

The Enlightenment, Stephen Littman, 1993-2016, 15 min

 

Granny’s Is, David Larcher, 1989, extract

 

Predator Cat Selfish Diva, Stephen Littman, 1998, 10 min

 

vide0void, David Larcher, 1993, extract

 

Hypnagogic Al, Stephen Littman, 2021, 3 min